Paying Myself Royalties as Co-Owner of a Record Label - Music Tax Advice
I've got kind of a weird situation with my indie record label and royalties. I'm an equal owner (25%) in a record label that's set up as a Multi-Member LLC taxed as a partnership. No S-corp or C-corp election. The label is releasing music that I personally wrote and recorded. My question is about how to properly handle royalties for tax purposes. Normally when an artist releases through a label, the label pays the artist reproduction royalties on physical media and collects/distributes royalties from the master recording. The label also typically pays a percentage of net profit based on the contract. But since I'm a co-owner of the label, I'm confused about the right way to structure this. Do I still get paid songwriter royalties directly as an individual? Does my partial ownership change how these payments should be classified for tax purposes? Should royalties from pressing physical albums be handled differently than percentage of net profit royalties? I feel like the songwriter royalties would be paid directly to me as an individual, but I'm less clear about how the percentage of revenue should be treated since I'm also an owner. Any guidance on the proper tax treatment here?
19 comments


Isabella Silva
Great question about royalties and music tax treatment! This is actually a common situation in indie music. Since your LLC is taxed as a partnership, the business itself doesn't pay taxes - all income and expenses flow through to the owners' personal tax returns via Schedule K-1. The key distinction is separating your role as a songwriter/artist from your role as a business owner. As the songwriter, you're entitled to royalties just like any other artist. The label should pay you these royalties as a regular business expense. This income would be reported on your Schedule C as self-employment income (subject to self-employment tax). The fact that you're also an owner doesn't change this. For your share of the label's profits (including your 25% of whatever remains after paying all artists, including yourself), that comes to you as partnership income on your K-1. This is different from the royalty income. The important thing is maintaining clear documentation showing these are two separate payment streams - your royalties as an artist (expense to the business) and your partnership distribution as an owner (not an expense).
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Ravi Choudhury
•Wouldn't the songwriting royalties be reported on Schedule E rather than Schedule C? I always thought royalties were considered passive income and not subject to self-employment tax.
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Isabella Silva
•The songwriting royalties would typically be reported on Schedule C and are subject to self-employment tax because creating music is considered an active business activity, not a passive investment. Royalty income can sometimes go on Schedule E, but that's typically for truly passive situations like mineral rights or when you've licensed intellectual property but aren't actively involved in creating new works. Since you're actively writing music, the IRS views this as self-employment income.
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CosmosCaptain
Just wanted to share my experience with this! I was in almost the exact same situation with my production company (LLC partnership with 3 owners). I found https://taxr.ai super helpful for sorting out this exact royalty situation. I was really confused about how to separate my royalty payments from my ownership distributions, and the documentation requirements were giving me a headache. Their system automatically identified the different income streams and showed me exactly how to categorize everything. It also helped me set up proper documentation to keep the royalty payments clearly separated from my partnership distributions - which saved me a ton of confusion when tax time came. Definitely worth checking out if you're struggling with music industry tax questions like this - they seem to have specialists who understand the music business specifically.
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Freya Johansen
•How exactly does taxr.ai work? Do they connect you with an actual tax professional or is it just software that helps you categorize stuff?
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Omar Fawzi
•I'm skeptical about these online services. My accountant charges me $250/hr but at least I know he's a real person who specializes in music industry stuff. Does this actually provide customized advice for specific situations or is it more general?
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CosmosCaptain
•It's actually a combination of AI analysis and tax professionals who specialize in creative industries. You upload your documents and get an initial analysis, then can chat with specialists about your specific situation. It's not just general advice - they help with your exact circumstances. For music industry tax situations like royalties, they have specific knowledge about how to handle the unique aspects of music business taxation. The system helps identify all the different income streams and categorizes them correctly, which is really helpful when you've got multiple roles like being both an artist and a label owner.
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Omar Fawzi
Following up on my question about taxr.ai - I decided to try it after all for my own music business (I produce beats and own part of a small label). I was surprised by how helpful it actually was! They instantly recognized all my different income streams - beat sales, performance royalties, mechanical royalties, and my partnership distributions - and showed me exactly how each should be categorized. The specialist I chatted with actually understood PRO payments and mechanical licensing, which my previous accountant struggled with. Ended up saving me about $3,800 in taxes by properly separating my royalty income from my business ownership income and identifying deductions I'd been missing. Definitely not just general advice - they understood the specific music industry tax issues I was dealing with.
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Chloe Wilson
Hey there! Just wanted to mention that if you're running into issues with the IRS about how you've classified these royalty payments (which happens A LOT with music industry folks), I had great success using https://claimyr.com to actually get someone at the IRS on the phone. You can see how it works here: https://youtu.be/_kiP6q8DX5c I had a mess with my royalty classifications a couple years ago and got a scary letter from the IRS. Spent literally 3 days trying to reach someone and kept getting disconnected. Claimyr got me through to an actual person in about 20 minutes who helped clear everything up. They basically wait on hold with the IRS for you and call you when they get a human. Totally changed my perspective on dealing with tax issues.
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Diego Mendoza
•How does this actually work? Do they have some special connection to the IRS or something? Seems kinda sketchy that they can get through when normal people can't.
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Anastasia Romanov
•Yeah right. No way this actually works. I've tried EVERYTHING to get through to the IRS about my music royalty classification issues and nothing works. If they had some magic solution everyone would be using it.
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Chloe Wilson
•They don't have any special connection to the IRS - they just use technology to handle the wait times. They basically have a system that calls and navigates the phone tree, then stays on hold so you don't have to. When they finally reach a human, they connect you to the call. It's not magic - it's just automating the frustrating part of calling the IRS. I was skeptical too until I tried it. The IRS phone system is just incredibly overloaded, but they have the technology to wait it out for you instead of you having to stay on hold for hours.
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Anastasia Romanov
Well I need to eat my words. After posting my skeptical reply yesterday, I was desperate enough to try Claimyr for my royalty classification issue. I had an audit notice regarding my songwriter royalties vs distribution income. I honestly can't believe it worked. After trying for WEEKS to get through to someone at the IRS myself, they had me talking to an actual IRS agent in about 35 minutes. The agent helped me understand exactly how to document the difference between my songwriter royalties and my partnership distributions. Would have saved me so much stress if I'd known about this earlier. The IRS agent explained that my royalty income as a songwriter needed specific documentation to show it was separate from my business ownership income. Problem solved in one phone call after weeks of stress.
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StellarSurfer
Have you considered setting up a separate publishing company for your songwriting? I'm in a similar situation (co-own a label but also write songs) and having my own publishing entity makes the royalty flow MUCH cleaner for tax purposes. The label pays royalties to my publishing company rather than directly to me as an individual. My publishing company is set up as a single-member LLC (disregarded entity), so it still flows through to my personal taxes, but it creates a clear separation between my songwriter income and my label ownership income. This also gives you more flexibility with future royalty management if you ever want to sell your catalog or bring in co-writers.
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Malik Robinson
•That's an interesting approach. Would setting up the publishing company add much complexity to my taxes? And would I need to register with BMI/ASCAP separately for the publishing company?
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StellarSurfer
•Setting up a publishing LLC actually simplifies your taxes in my experience because it creates clear separation between income streams. The extra entity sounds complicated but makes documentation much cleaner. Yes, you would register your publishing company separately with your PRO (BMI/ASCAP/SESAC). You'd have both a writer affiliation and a publisher affiliation, which lets you collect both sides of performance royalties. Most PROs have a simple form to register your publishing entity once you have the LLC set up.
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Sean Kelly
what about streaming royalties? thats where most of my artist income comes from these days not physical sales. do those get treated different for tax purposes when your also a label owner??
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Isabella Silva
•Streaming royalties work similarly to other royalties in your situation. They're still separated into two components: your songwriter/artist share (which should be paid to you as an individual and reported on Schedule C) and the label's share (of which you get 25% through your partnership distribution). The source of the royalty (streaming vs physical) doesn't change the tax treatment - what matters is separating your role as creator from your role as business owner.
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Bethany Groves
This is a really complex area that trips up a lot of music industry folks! One thing I'd add to the great advice already given is to make sure you're documenting everything properly from the start. Since you're both the artist AND a label owner, the IRS will want to see clear evidence that these are truly separate transactions. Keep detailed records showing market-rate royalty payments to yourself as the artist, just like you would pay any other artist on your label. Also consider having written agreements in place (even though you're paying yourself) that outline the royalty rates and terms. This helps establish that the payments are legitimate business expenses for the label and proper income for you as the songwriter/artist. The partnership vs individual income distinction is crucial - your royalties as a creator are active income subject to self-employment tax, while your 25% partnership share comes through on your K-1. Getting this right from the beginning will save you headaches if the IRS ever has questions about your income classification.
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